The exhibition brought together different
experiences, stories and perspectives, allowing the
works to speak to one another rather than exist as
separate pieces.
Worked across space, production and content, developing the spatial plan and organising the works through content clustering. This helped shape theoverall narrative of the exhibition and how visitors moved between different works and experiences.
The space used metal scaffolding, tarpaulin and exposed surfaces to create a raw, unfinished framework for the works. Hand-drawn ink lines added movement and spontaneity, allowing the space to feel constantly in process.
The graphic identity carried the exhibition’s emphasis on the human touch beyond the physical space. The graphics team explored multiple
hand-drawn variations of the logo and its accompanying lines, bringing a sense of spontaneity and individuality to the visual language.
Building on the main poster, a series of scratchable posters offered glimpses of the exhibition, teasing the works and building anticipation before visitors entered the space.